Since the introduction of the iPhone and iPad, there has been much interest in ways to use the touchscreens for musical applications. There are apps which simulate a wide variety of studio gear – synthesizers, drum machines, effects units, whole grooveboxes, entirely new instruments, ‘four track’ recorders. Many of these apps are amazing; I particularly love the Korg IMS-20, a reproduction of an analog synthesizer complete with patch cords, and I’ve spent many a long subway ride cobbling something together with Beatmaker, which incredibly manages to replicate samplers, drum machines, a mixing board and arrangement tools all in one app.
AC-7 Core XT
It’s been about 18 months since FCP X was released as I write this, and there are many, many, FCP 7 workstations still cranking out shows around New York City. I expect folks will hang on to these systems as long as possible; I’m working on one right now. In an earlier post, I walked through setting up an iPad to control the audio mixer in FCP 7. I’ve grown accustomed to working with an iPad to manipulate audio levels, and frankly miss it if I don’t have access to that. So, to simplify (no, really), I grabbed an iPad 3 last spring, and now work with two iPads on my desk. I can tell you, it never fails to elicit an reaction when someone walks in the room. Sigh. I end up explaining that one is dedicated as an audio control surface, and one is used for whatever normal people use laptops for – email, note taking, reading scripts.
But having two iPads does open up some interesting possibilities, and I remembered that the company that made AC-7 Core also made another app, AC-7 Core XT – which adds another bank of 8 faders to the first 8 provided by AC-7 core. This allows you to have direct access to 16 faders, which is where I generally try to cap my tracks during editing a show. The Core XT app works as advertised and well, however the setup isn’t immediately obvious. So, for posterity, here is how you make that work.
There are a few neat little things I’ve run across as I worked this fall and winter that made my life a bit simpler as I navigated the trenches of documentary television. Runtime for iPhone was one of them.
Runtime on the App Store $1.99
Runtime web site
Runtime is a great take on that most reliably needed tool, the timecode calculator. Time was, these were hardware, and kind of expensive. Like the blue Portabrace gear the field crew drags everywhere (though apparently the new stuff is black?), post production professionals likely had a FrameMaster from Calculated Industries on the desk somewhere. They were pricey.